London: Faber and Faber, 1964. First edition. 48 pp. Red cloth, spine lettered in gilt, with the dust jacket. Slight rubbing to top edge of jacket and spine creases, near fine. Collects Beckett's pieces Play, Words and Music, and Cascando. Federman & Fletcher 42.
![Waiting for Godot [first edition in English]. Samuel Beckett](/pictures/thumb/1798.jpg?v=1608685405)
New York: Grove Press, 1954. First English language edition. 61 pp. Black cloth boards, lettered in blind, silver and copper, with the dust jacket. Jacket spine a bit browned, as usually seen, with some very slight edgewear to the top edge and lower spine edge; book is close to fine.....
![Disavowals, or, Cancelled Confessions [Aveux non Avenus]. Claude Cahun](/pictures/thumb/2098.jpg?v=1635130703)
Cambridge, MA: The MIT Press, 2008. First edition thus. 226 pp. Original printed wrappers. Slight handling wear, near fine. Introduction by Jennifer Mundy. Afterword by Francois Leperlier. Translated by Susan de Muth. The is the first English translation (published in the UK by Tate Publishing in 2007) of Cahun's major.....
New York: Covici-Friede, 1931. First edition. [119] pp. Rough-woven tan cloth over boards, cover board stamped in silver facsimile of Cummings' signature. One of 391 numbered copies printed, signed by Cummings on the title-page in watercolor. Some rubbing at spine extremities and hinges, as always seen with this fragile production.....
The Hague: The Servire Press, 1934. First edition. One of 1000 copies printed on Old Antique Dutch paper. Publisher’s printed wrappers, silver slipcase with pink printed label. Spine browned, else a fine copy, pages unopened, in a slipcase which is worn at the edges and lacking an inch-long piece from.....
New York/Philadelphia: Octagon Books, Farrar, Straus and Giroux/The Philip H. & A.S.W. Rosenbach Foundation, 1975. First edition. One of 1775 numbered copies. Three volumes in publisher's slipcase. Full blue cloth lettered in white. Some rubbing to slipcase, volumes about fine. Critical introduction by Harry Levin, bibliographical preface by Clive Driver. Volumes.....
[Paris/Dijon]: [Contact Editions], [1922]. First edition. 288 pp. Original printed wrappers. McAlmon's second book, a collection of stories, the first publication of what would become his press Contact Publishing Company; this book issued without a date, publisher or place of publication. Printed in Dijon by Darantiere. The title was taken.....
[Paris: Contact Editions], 1929. First edition. 44 pp. Publisher's printed wrappers. Some handling wear to covers, near fine, unopened. One of 310 copies, printed by Brulliard in Saint-Dizier, the first Contact book not to be printed by Darantiere. It was also the final Contact book, published before McAlmon returned to.....
New Haven: Yale University Press, 1934. First American edition. 197 pp. Green cloth boards, lettered in black on the spine, with the dust jacket. Jacket spine and extremities browned, short closed tear with corresponding crease to top edge of rear panel, but overall quite clean. Gallup A35b (1016 copies printed).....
New York: The Fuck You Press, 1967. First edition. [14] leaves. Side-stapled wrappers, front cover illustration by Joe Brainard. Some toning to extremities, else a fine copy, with a bit of offsetting from the printing process to the front cover and verso of front cover. One of 300 numbered copies.....
London: Elkin Mathews, 1913. First collected edition. 52, 64, [4] pp. Brown paper boards lettered in gold on the front cover and spine. Gallup notes that "not more than 500 copies issued." The book consists of first edition sheets of the two earlier books with a new half-title and title-leaf.....
Boston: Small, Maynard and Co., 1912. First edition. 119 pp. Grey paper boards over parchment spine and corner tips, spine lettered in gilt. Exterior front hinge cracked, with corresponding tear on front pastedown, but holding; exterior rear hinge separating for several inches from top edge. A fragile book. Gallup B4a.....
New York: Dim Gray Bar Press, 1994. First edition. [20] pp. Handmade paper wrappers, printed on the front cover, string-sewn. Minor sunning to edges, else fine. Cover illustration, repeated on title-page, by Guy Davenport. One of 100 numbered copies printed by Barry Magid at the Center for Book Arts, signed.....