Berkeley: Oannes, 1963. First edition. First edition, one of 500 numbered copies printed. Stiff wrappers with attached printed dust jacket. Printed on textured brown paper. 110 pp. A two-act ballad opera set in San Francisco in 1906. Slightest rubbing to head of spine, still a fine copy.
Amherst: University of Massachusetts Press, 1979. First edition. 582 pp. Brown cloth, spine lettered in gilt, with the dust jacket. Spine slightly rolled, jacket a bit toned and slightly rubbed at the head of the spine. Illustrated with over 250 line drawings by Moser. Signed by Moser on the title-page.....
Meudon-Val-Fleury (Seine et Oise): [privately printed], 1939. First edition. [40] pp. Unprinted heavy wrappers, folded and string-sewn. A bit of surface wear to the wrappers, contents clean. Despite previous periods of intense collaboration dating back to their initial meeting decades earlier during the flowering of Zurich Dada, this is.....
![Item #2092 Tide [one of 50 copies]. Silvia Bächli, text, ill. Jamaica Kincaid](https://trioletrarebooks.cdn.bibliopolis.com/pictures/2092.jpg?width=320&height=427&fit=bounds&auto=webp&v=1633998007)
New York: Peter Freeman, Inc., 2011. First edition. [96] pp. Printed paper boards. A book of drawings by Swiss artist Silvia Bächli with text by Jamaica Kincaid. Of a total edition of 1000 copies, this is one of 50 numbered copies, signed by Bächli and Kincaid. Fine copy.
New York: Boosey & Hawkes, 1966. First edition. Original Wraps. Stapled wrappers. 86 pp. Libretto by Elmslie, music by Jack Beeson (only the libretto is printed). Cover by Joe Brainard. Slight wear to spine, minor shelf rubbing to bottom edge, overall about near fine.
n.p. [Williamsburg, MA]: Cheloniidae Press, 1982. First edition, one of 200 regular copies (of a total edition of 300, 100 deluxe). Original publisher's quarter red morocco over buff linen cloth boards, spine lettered in gilt, bound by Gray Parrot. Slight foxing to cloth boards, else fine. Original prospectus laid in.....
Guildford: Circle Press, 1981. First edition. Original wrappers. Unprinted wrappers with integral jacket, French flaps. One of 150 copies of the regular edition, illustrated with six plates designed by Ronald King and printed relief in one color. Just about fine.
Paris: Pierre Seghers and Imprimerie Union, 1953. Folded concertina, made up of three sheets assembled and attached to the back with strips of cloth. Original hangers attached to verso. With the publisher's original rhodoïd case. A gorgeous, fine copy, bright and fresh. Now housed in a custom clamshell box...
Paris: Éditions de la Revue Fontaine, 1945. Second edition. Original wrappers with integral dust jacket. Slight spotting to wrappers, spine a little browned. 1860 copies were printed on various papers; this copy unnumbered and apparently on wove pur fil du marais, of which fifty lettered copies were noted at.....
Paris: The Black Sun Press, 1931. First edition. Translated by Kay Boyle. [8], 38, [8] pp. Publisher's black cloth boards, decorated in elaborate gilt and blind, designed by Ernst in collaboration with A.J. Gonon. Nineteen photograms with tissue guards, with text printed in red. One of 200 copies on "finest.....
Paris: [Les Presses du Montparnasse], 1923. First edition. [57] pp. Printed wrappers. Inevitable toning to leaves, else a fine copy of a fragile production. 180 copies were printed; this one of the 100 copies on vergé, unnumbered and unsigned. Frontispiece by Max Ernst, drypoint on chine, mounted, signed in.....
Los Angeles: The Bieler Press, 1992. First edition. Sewn wrappers with attached cover lettered on the front cover. One of 200 numbered copies, signed by Gallo and Schanilec. Slight sunning to spine.
[Washington, D.C.]: U.S. Government Printing Office, 1943. First edition. [36] pages. Stapled printed wrappers. Slight toning to covers, very minor spotting to lower edge of front cover. Contents clean and bright. “In 1942, Geisel joined the United States’ efforts in World War II. As commanding captain of the animation.....
Wilmington, DE: The Wilmington Poetry Society, 1946. First edition. Original Wraps. Stapled wrappers. 15 pp. An offprint from Two Appearances by Alison Kimball and Susan Sharp Adams, winner of the Third Biennial Book Award from The Wilmington Poetry Society. A copy of the cover illustration by Andrew Wyeth is mounted.....
Paris: Éditions Pierre Belfond, 1969. First edition. 204 pp. Printed wrappers. One of 3000 numbered copies, this copy hors commerce, and likely one of the ten copies marked thus. While the edition was issued in boards in a dust jacket, this copy in printed wrappers. Small bump to head of.....
[Easthampton]: Pennyroyal Press, 1975. First edition. [36] leaves, unbound as issued, laid into a chemise housed in a clamshell box. A couple of small minor scuffs to box, contents fine. One of forty copies printed. Six wood engravings by Anne O’Connor with texts “freely edited from the 1871.....
Paris: Ambroise Vollard, 1931. First edition. No. 217 of 240 copies on Rives paper, of a total edition of 305. 13 original etchings by Pablo Picasso and 67 wood engravings after drawings by the artist, engraved by George Aubert. Bound in gray calf by Renée Haas and collaborators Renaud Vernier.....
New York: Harper and Brothers, 1944. First edition. [32] pp. Publisher’s oatmeal cloth, lettered and decorated in red, with the dust jacket. Some offsetting to front endpaper from laid-in newspaper article (a dismissive review of a 1946 exhibition by Reinhardt). The jacket shows heavy wear with some chips, detached at.....
Geneva: Kundig, 1949. 137 pp. Illustrated printed wrappers. A little wear and minor soiling. Sandoz's classic gothic horror novel, with illustrations by Dali. Text in French. Inscribed by Sandoz on the half-title and dated in 1965.