Meudon-Val-Fleury (Seine et Oise): [privately printed], 1939. First edition. [40] pp. Unprinted heavy wrappers, folded and string-sewn. A bit of surface wear to the wrappers, contents clean. Despite previous periods of intense collaboration dating back to their initial meeting decades earlier during the flowering of Zurich Dada, this is.....

New York: Boosey & Hawkes, 1966. First edition. Original Wraps. Stapled wrappers. 86 pp. Libretto by Elmslie, music by Jack Beeson (only the libretto is printed). Cover by Joe Brainard. Slight wear to spine, minor shelf rubbing to bottom edge, overall about near fine.

New York: Museum of Modern Art, 1973. First edition. [24] pp. Unprinted stapled red wrappers with dust jacket. Jacket a little toned with a short closed tear and a bit of rubbing at the head of the spine. The uncommon fourth volume of Brainard's series of remembrances.

Philadelphia/New Haven: Philadelphia Museum of Art/Yale University Press, 2009. First edition. 448 pp. Gray cloth, spine and front board lettered in silver, with the dust jacket. Contains 343 color and 117 black-and-white illustrations. Published to accompany a major exhibition commemorating the fortieth anniversary of the original installation of the piece.....

Scotland: Wild Hawthorn Press, 1966. First edition. [24] pp. Unprinted stapled wrappers with dust jacket. Hand-printed by the Salamander Press for Wild Hawthorn Press. Illustrated with linocuts by Zeljko Kujundzic. A couple of small spots to front cover, extremely slight rubbing to edges, else fine. Murray 3.18.

New York: The Prospero Pamphlets, 1947. First edition. [12] pp. Original printed wrappers, bound into red boards reproducing the cover design on the front board. Head of spine and lower corner bumped. Illustrated with a drawing by Dmitri Petrov, who also designed this book. In addition to four hundred.....

[Paris]: 1924. “During the 1920s, a number of Russian artists living and working in Paris formed the L’Union des Artistes Russes. To help raise funds they held several spectacular charity balls, organized primarily by Natalie Goncharova (1881-1962) and her husband Mikhail Larionov. These included the Grand Bal des Artists in.....

Paris: Shakespeare and Company, 1929. First edition. 194 pp. Original printed wrappers, with cover design by Sylvia Beach. Top edge uncut and unopened. Some slight overall soiling to the wrappers, slight chipping to the lower edge of the spine. Chemised in a custom slipcase. One of 96 numbered copies.....

Los Angeles: The Press of the Pegacycle Lady, 1974. 21 pp. Paper boards, lettered on the front board and spine, with Berman’s image mounted to the front board. The single sewn signature is loose but holding, some minor old staining to rear board. Of a total edition of 500 numbered.....

London: Goliard Press, 1966. First edition. [20] pp. Brown paper boards, cover lettered in gilt, with the dust jacket. Board edges a bit sunned, slight rubbing to head and tail of spine. Jacket spine a little sunned. One of 25 copies in boards, signed by Olson and numbered on the.....

New York: Alfred A. Knopf, 1931. Second edition. 152 pp. Blue paper boards over smooth black cloth spine with printed paper label mounted, with the dust jacket. Slight fading to board edges, jacket toned on verso and extremities, spine browned, small snag on rear panel of jacket at top edge.....

New York: Granary Books, 1996. First edition. [36] leaves. Black plastic comb binding, front cover lettered in silver, with photograph mounted. One of twenty lettered copies, of a total edition of seventy copies, signed by the author. Original mounted photographs throughout text. Originally composed and produced by Lewis Warsh as.....

[New York]: The Living Theatre, 1952. Printed illustrated wrappers, stapled. 16pp. Printed (likely via lino or monotype) on cheap brown paper, text block detached from staples with some chipping at the head of the spine and a small chip at the top front corner. A fragile survival. Program for the inaugural.....