New York: The Center for the Humanities, The Graduate Center, CUNY, 2015. First edition. Five volumes. Stapled printed wrappers. Comprises: Kathy Acker: Homage to Leroi Jones (ed. Gabrielle Kappes). Jean Sénac: The Sun Under the Weapons, Correspondence & Notes from Algeria (Parts I & II) (ed. Kai Krienke). Langston Hughes.....

[Houseboat, Boardwalk #2], Larkspur, CA: Wallace Berman, 1960. First edition. [14] unbound sheets, laid into a printed manila pocket mounted in a folded printed cover. Some foxing and soiling to covers, minor creasing to lower corners; still much better than usually seen. One of 335 copies printed. This sixth.....

Paris: GLM, 1936. First edition thus. [38] pp., folding frontispiece. Original printed wrappers. Minor toning, else fine. One of 100 numbered copies, of a total edition of 115 copies of the edition de tête. Folding frontispiece illustration by Dalí. After reading Paul Valéry’s “Notes on Poetry” in Les Nouvelles.....

Paris: Éditions Cahiers d’Art, 1947. First edition. [48] pp. Plain wrappers with attached dust jacket. Some toning to cover extremities, minor handling wear, near fine. One of 500 numbered copies, although Eluard noted that only 258 copies were printed due to a lack of paper. Eluard’s poignant tribute to.....

[Paris]: 1924. “During the 1920s, a number of Russian artists living and working in Paris formed the L’Union des Artistes Russes. To help raise funds they held several spectacular charity balls, organized primarily by Natalie Goncharova (1881-1962) and her husband Mikhail Larionov. These included the Grand Bal des Artists in.....

Leipzig: Kurt Wolff Verlag, 1913. First edition. 15 pp. Black wrappers with printed paper label on front cover. Some handling wear, slightest chipping to spine. The first book by one of the founders of the Dada movement. Together with her partner and future husband Hugo Ball, Tristan Tzara.....

Budapest: Európa Könyvkiadó, 1958. First Hungarian [bilingual] edition. 85, [3] pp. Gray cloth, lettered and decorated in gilt and blocked in black on the front board and spine, with the dust jacket. Slight chipping to head and tail of jacket spine, short closed tear to upper edge of front jacket.....

New York: Julien Levy Gallery, 1945. Single sheet, folded once to form [4] pp. Slight edgewear, minor staining to center crease. Slight transfer ghost to rear cover, as often seen. Exhibition brochure designed by Marcel Duchamp, cover image based on a photograph by Czech filmmaker Alexander Hackenschmied. Includes.....

New York: An American Place, 1940. Single sheet, printed on recto and verso. Fine copy. Handbill for O’Keeffe’s exhibition, including some works painted in Hawaii. Significant for presenting a brief artist’s statement. “Maybe the new place enlarges ones [sic] world a little. Maybe one takes one’s own world along.....

London: Goliard Press, 1966. First edition. [20] pp. Brown paper boards, cover lettered in gilt, with the dust jacket. Board edges a bit sunned, slight rubbing to head and tail of spine. Jacket spine a little sunned. One of 25 copies in boards, signed by Olson and numbered on the.....

Paris: Ambroise Vollard, 1931. First edition. No. 217 of 240 copies on Rives paper, of a total edition of 305. 13 original etchings by Pablo Picasso and 67 wood engravings after drawings by the artist, engraved by George Aubert. Bound in gray calf by Renée Haas and collaborators Renaud Vernier.....

Boston: Small, Maynard and Co., 1912. First edition. 119 pp. Grey paper boards over parchment spine and corner tips, spine lettered in gilt. Exterior front hinge cracked, with corresponding tear on front pastedown, but holding; exterior rear hinge separating for several inches from top edge. A fragile book. Gallup B4a.....

Paris: Le Point Cardinal, 1962. First edition. Single sheet, folded three times. Slight toning, small stain to head of rear panel, else fine. Reproduces a drawing by Zürn, with an indecipherable calligraphic text by Max Ernst. A limited edition with an original print was published in an edition of.....