Paris: Éditions Kra, 1930. First edition. 103, [2] pp. Printed boards. Boards very slightly splayed; slight toning to spine; browning to extremities of front and rear endpapers; a bit of spotting to some leaves. One of 50 Roman-numeraled copies, reserved for Librairie José Corti, of a total of 110.....
Paris: various dates. All items mounted in a handmade booklet, stapled plain card covers, [6] pp. A small collection of ephemeral and manuscript material, including an Autograph Letter Signed, with envelope, and an Autograph Postcard Signed, both addressed to Claude Rameil, who presumably assembled the collection. In the letter, dated.....
New York: The Poets Press, 1968. First edition. [32] pp. Stapled printed wrappers. Minor handling wear, slight rust from staples. The first book, becoming uncommon, by a major African-American poet. Introduction by Diane di Prima. As Lorde stated in a 1971 flyer for a series of readings and workshops.....
New York: Holt, Rinehart and Winston, 1970. First edition. 164 pp. Publisher’s blue quarter cloth over gray paper boards, spine lettered in silver, with the dust jacket. Spine lightly rolled, board edges toned; small nick to top edge of front board. Jacket browned at extremities, as usual; small old crease.....
Bussum: The Halcyon Press, 1927. First edition. 34, [6] pp. Publisher’s unprinted wrappers. Spine a little darkened, soft crease to lower front corner of covers and most leaves with a tiny attendant closed tear to the edge of the cover. 330 copies were printed; this copy unnumbered and designated.....
Paris: Galerie Mouradian et Vallotton, 1962. [24] pp. Stapled wrappers. Some minor handling wear and sunning to extremities. Catalog of an exhibition held at Galerie Mouradian et Vallotton, Paris, May 15-June 6, 1962. Includes color and black and white reproductions, a list of works exhibited, and an essay by Alain.....
Paris: Editions Sagesse, n.d. [c. 1935]. [8] pp. Publisher's printed wrappers. Spine rubbed with slight loss; edges browned. A collection of four poems, dedicated to André Breton. Valançay translated work by Max Ernst, Hans Arp, Hans Bellmer, and Unica Zürn, and corresponded extensively with many of the Surrealists, particularly Eluard.....
Paris: Fontaine, 1947. First edition. Collection l'Age d'Or. 40, [2] pp. Original printed wrappers. Minor edgewear, near fine. One of twenty-five hors commerce copies, stamped HC, of a total edition of 550 copies. Cover by Mario Prassinos. With the achevé d'imprimer le 25 septembre 1947, issued with a "Le cercle.....
[n.p.]: [n.d.]. Spiral-bound wrappers. Diagonal crease to upper corner of front corner, reinforced with tape on the verso. An uncommon collection of poems, which first appeared in The Wormwood Review, Prairie Schooner, The Massachusetts Review, Kauri, and others. The Walt Phillips Small Press Collection at Sonoma State contains 268 journals.....
Paris: Editions Sagesse, 1933. First edition. 35, [3] pp. Publisher's printed wrappers. Some minor browning, near fine. One of 500 numbered copies. Inscribed by the author to the Marxist philosopher Rene Maublanc, dated 10 Nov 1933. Marc was the publisher of Editions Sagesse; after the war he renounced poetry and.....
![Item #2641 Marcel Duchamp: Étant donnés [together with:] Manual of Instructions for Étant...](https://trioletrarebooks.cdn.bibliopolis.com/pictures/2641.jpg?width=320&height=427&fit=bounds&auto=webp&v=1788574271)
Philadelphia/New Haven: Philadelphia Museum of Art/Yale University Press, 2009. First edition. 448 pp. Gray cloth, spine and front board lettered in silver, with the dust jacket. Contains 343 color and 117 black-and-white illustrations. Published to accompany a major exhibition commemorating the fortieth anniversary of the original installation of the piece.....
New York: Harry N. Abrams, 1999. First edition. 332 pp. Orange cloth, spine lettered in white, with the dust jacket. Slight rubbing to the jacket edges, slight shelfwear to lower page edges, near fine. An important publication by a major Duchamp scholar.
Ghent: Ludion Press, 2000. First edition. 406, [18] pp. Brown boards, spine lettered in white, with the dust jacket. Ribbon bookmark bound in. Near fine.
Cambridge: MIT Press, 2001. First edition. xx, 259 pp. Purple cloth backstrip over red cloth boards, spine lettered in gilt, with the dust jacket. Profusely illustrated. Near fine copy.
Stuttgart: Edition Hansjörg Mayer, 1976. Third edition, one of 2500 copies printed. Green printed paper boards, original publisher's unprinted acetate wrapper. The Green Box was published in a limited edition in 1934 with the various documents reproduced in facsimile as individual items contained in a box, now presented here in.....
n.p. The Typosophic Society, 1999. First edition. [12], 1-115, 11 pp. Black cloth spine and rear board over publisher's printed glossy front board, rear board and spine lettered in green. No dust jacket, as issued. Richard Hamilton and Ecke Bonk's "typotranslation" of Duchamp's White Box. Translated from the French by.....
Norwalk: Easton Press, 1985. 96 pp. Full leather, spine and front board lettered in gilt, all edges gilt, two raised bands on spine. Fully illustrated in color. Originally published by Crown in 1977, translation by Alice Sachs. Fine copy.
London: Atlas Press, 1999. First English language edition. 27 pp. Publisher's glossy illustrated boards, no jacket as issued. Illustrations by André Raffray. Translated by Antony Melville. Very slightest rubbing to top corners, else fine. Translation of the 1977 Pompidou publication.
Paris: Contact Publishing Company, 1923. First edition. 93 pp. Original printed wrappers. Wrappers skillfully repaired at the spine and edges, some minor soiling and light foxing. Now housed in a custom clamshell box. Printed in Dijon by Maurice Darantiere. About 300 copies printed, “but many of these may not.....
Los Angeles: [Mason Williams], 1967. First edition. Unpaginated. Perfect-bound printed wrappers. Some rubbing to spine edges and extremities. A fairly uncommon self-published artist’s book by a fairly undersung developer of west coast conceptual art. Alongside his close friend Ed Ruscha, with whom he drove from Oklahoma to Los Angeles.....
London: Published by L. and V. Woolf at the Hogarth Press, 1931. First edition. [vi], 7-31 pp; four plates. Printed paper boards, spine label mounted, possibly as issued. Some browning and minor soiling to boards, endpapers toned. Lotte Reiniger (1899-1981) was a pioneer in the making of animated films.....
Bogota: Libreria Colombiana, Camacho Roldàn & Compañia, 1929. First edition. 166 pp. Full red morocco, lettered and decorated in gilt, ruled in blind, silk bookmark sewn in, all edges red and embossed. Original front wrapper bound in. A bit of foxing, the occasional light pencil mark throughout. A collection.....
Torino: Galleria Il Fauno / Galleria Martano, 1971. First edition. [16] leaves, printed on rectos only. Heavy marbled paper boards over black cloth backstrip, printed label on front cover, acetate wrapper. Edges and spine rubbed, label a little stained. Illustrated with seven tipped-in images of photographs of Man Ray.....
Paris: Bibliotheque Nationale, 1962. First edition. [3], 16 pp, printed on rectos only. Perfect-bound wrappers, lettered in white on the front cover with a mounted photograph. Some slight waviness from mounted image, near fine. An uncommon catalogue of an exhibition held at the Bibliotheque Nationale of Man Ray’s photographic.....
Montevideo: Peña Hnos. 1926. First edition. 16 pp. Original stapled wrappers. A bit of toning and handling wear, staple rusted, but solid and complete. Previous owner’s signature to the title and dedication pages, with elegant annotations throughout in ink. An obscure work by an instigador of the Nativismo movement.....