![Item #2283 The Blood of the Air [one of fifty signed copies in boards]. Philip Lamantia](https://trioletrarebooks.cdn.bibliopolis.com/pictures/2283.jpg?width=320&height=427&fit=bounds&v=1685825717)
San Francisco: The Four Seasons Foundation, 1970. First edition. [12], 45, [6], pp. Gray paste-paper boards over green cloth backstrip, lettered and ruled in gilt. Slightest rubbing to corners, else fine. One of fifty numbered copies in boards, signed by the author. The uncommon limited edition of this collection.....
Paris: Éditions de la Revue Fontaine, 1945. Second edition. Original wrappers with integral dust jacket. Slight spotting to wrappers, spine a little browned. 1860 copies were printed on various papers; this copy unnumbered and apparently on wove pur fil du marais, of which fifty lettered copies were noted at.....
New Haven: The Readymade Press, 1957. First edition. Printed paper boards, with the dust jacket. Book about fine with the slightest rubbing to the corners; jacket is price-clipped and has some edgewear to the top edge with some tiny chips. One of 400 copies printed, designed by Henry Steiner.....
Paris: Maeght Éditeur, 1948. First edition. 51 leaves, 45 leaves of plates; 86 color etchings by Chastel (including 38 full page), tissue guards laid in, unbound as issued in etched pictorial wrapper, housed in publisher’s chemise with inlaid title label to spine, with slipcase. Some slight wear to head of.....
n.p. [Rome]: n.d. [1944]. First edition thus. [27] pp.; [20] folded leaves of plates. Chemised in a slipcase. One of 298 numbered copies. Some foxing throughout. Chemise retains fragments of original glassine. Contains 22 drawings reproduced photolithographically, plus two culs-de-lampe. In Women Artists and the Surrealist Movement, Whitney Chadwick.....
Genève: Editions d’Art Albert Skira, 1981. Three volumes. Full brown buckram, stamped in blind, with the dust jackets and card slipcases. Some wear and small tears to jackets at spine head and tails, slipcases a little rubbed at extremities and splitting slightly at opening. Contents fine. A facsimile edition reproducing.....
Paris: Éditions GLM, 1935. First edition. Unbound folded gatherings laid into publisher’s photographically illustrated wrapper, as issued. Some creasing to the front cover at the spine, as often seen, slight rubbing to head and tail of spine. Interior clean and bright. Housed in a custom chemise and slipcase, with title.....
Paris: Pierre Seghers and Imprimerie Union, 1953. Folded concertina, made up of three sheets assembled and attached to the back with strips of cloth. Original hangers attached to verso. With the publisher's original rhodoïd case. A gorgeous, fine copy, bright and fresh. Now housed in a custom clamshell box...