Berkeley: Oannes, 1963. First edition. First edition, one of 500 numbered copies printed. Stiff wrappers with attached printed dust jacket. Printed on textured brown paper. 110 pp. A two-act ballad opera set in San Francisco in 1906. Slightest rubbing to head of spine, still a fine copy.

Meudon-Val-Fleury (Seine et Oise): [privately printed], 1939. First edition. [40] pp. Unprinted heavy wrappers, folded and string-sewn. A bit of surface wear to the wrappers, contents clean. Despite previous periods of intense collaboration dating back to their initial meeting decades earlier during the flowering of Zurich Dada, this is.....

New York: Boosey & Hawkes, 1966. First edition. Original Wraps. Stapled wrappers. 86 pp. Libretto by Elmslie, music by Jack Beeson (only the libretto is printed). Cover by Joe Brainard. Slight wear to spine, minor shelf rubbing to bottom edge, overall about near fine.

n.p. [New York]: n.d. [1967]. First edition. [24] pp. Stapled illustrated wrappers. Slight toning to extremities, else fine. An early Brainard/Elmslie collaboration. Signed by Elmslie on the front verso.

[Paris]: Fernand Mourlot, 1949. First edition. Folio (17 x 12 ¾ inches). 60, [53] pp. Unbound gatherings laid into an open folding vellum portfolio, housed in publisher’s clamshell case. Original color lithograph frontispiece, 26 en texte lithographs, and 12 offset color lithographs. One of 250 numbered copies on vélin d’Arches.....

New York: Covici-Friede, 1931. First edition. [119] pp. Rough-woven tan cloth over boards, cover board stamped in silver facsimile of Cummings' signature. One of 391 numbered copies printed, signed by Cummings on the title-page in watercolor. Some rubbing at spine extremities and hinges, as always seen with this fragile production.....

Paris: Robert J. Godet, “pour mes amis”, 1943. First edition. 35, [4] pp. Unbound signatures laid into printed wrapper, as issued. Some toning to extremities; first plate lacks tissue guard. One of one hundred numbered copies reserved for Robert J. Godet, of a total edition of 170 copies. One.....

Paris: Editions GLM, 1935. First edition. Unbound folded gatherings laid into publisher’s photographically illustrated wrapper, as issued. Some creasing to the front cover at the spine, as often seen, slight rubbing to head and tail of spine. Interior clean and bright. Housed in a custom chemise and slipcase, with title.....

Paris: Éditions Cahiers d’Art, 1947. First edition. [48] pp. Plain wrappers with attached dust jacket. Some toning to cover extremities, minor handling wear, near fine. One of 500 numbered copies, although Eluard noted that only 258 copies were printed due to a lack of paper. Eluard’s poignant tribute to.....

Paris: The Black Sun Press, 1931. First edition. Translated by Kay Boyle. [8], 38, [8] pp. Publisher's black cloth boards, decorated in elaborate gilt and blind, designed by Ernst in collaboration with A.J. Gonon. Nineteen photograms with tissue guards, with text printed in red. One of 200 copies on "finest.....

Scotland: Wild Hawthorn Press, 1966. First edition. [24] pp. Unprinted stapled wrappers with dust jacket. Hand-printed by the Salamander Press for Wild Hawthorn Press. Illustrated with linocuts by Zeljko Kujundzic. A couple of small spots to front cover, extremely slight rubbing to edges, else fine. Murray 3.18.

Montevideo: Instituto General Electric, 1967. First edition. [16] pp. Unprinted stapled wrappers, with dust jacket. Slight rubbing at head of jacket spine, else fine. One of 1500 copies printed at the Spiral Press, with a tipped-in original woodcut frontispiece signed and dated by the artist.

[Washington, D.C.]: U.S. Government Printing Office, 1943. First edition. [36] pages. Stapled printed wrappers. Slight toning to covers, very minor spotting to lower edge of front cover. Contents clean and bright. “In 1942, Geisel joined the United States’ efforts in World War II. As commanding captain of the animation.....